Herbert Howells’ Magnificat and Nunc Dimittis (Collegium Regale), for SATB and Organ accompaniment, is a vibrant sacred work with beautiful voicings and a. Magnificat and Nunc dimittis for St Paul’s Cathedral, also known as the St Paul’s Service, is a setting by the English composer Herbert Howells of the Magnificat and Nunc dimittis for others being his settings for King’s College Cambridge ( Collegium Regale) and for Gloucester Cathedral – where the music “burns through. Herbert Howells () .. The Collegium Regale Magnificat and Nunc dimittis have rightly become the most celebrated settings of the twentieth century.
|Published (Last):||1 June 2013|
|PDF File Size:||11.95 Mb|
|ePub File Size:||7.94 Mb|
|Price:||Free* [*Free Regsitration Required]|
Magnificat and Nunc dimittis for St Paul’s Cathedral – Wikipedia
Gramophone products and those of specially selected partners from the world of music. Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults. He was still reeling from the tragic death from polio of his son, Michael, in and, though highly regarded, he was now thought colllegium mainly as an eminent teacher of composition at the Royal College of Music. The piece has been recorded several times,  including a collection The Music of St. Paul’s Cathedralperformed by the cathedral choir conducted by John Scott with organist Christopher Dearnley and a overview of ten settings of Magnificat and Nunc dimittis by English composers, performed by the Choir of York Minster conducted by Philip Moore and with organist John Scott Whiteley.
Hyperion offers both CDs, and downloads in a number of formats. Whether you want to see what we think of today’s latest releases or discover what our mmagnificat thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.
HOWELLS Collegium Regale
Magnifficat text is dispatched quickly and efficiently and Howells reserves his most expansive music for the concluding Gloria. Having contributed little of any significance to Anglican liturgical music for two decades, Howells found the renewed experience of choral services one he had formerly known at the cathedrals of Gloucester and Salisbury highly amenable and invigorating.
A true master and exponent of the British choral music tradition, Herbert Howells’ compositions and settings are brought to life in this collection of his secular and sacred works. The darker, modal hues of the Te Deum and Jubilate benefit from the lavish role of the Coventry Cathedral organ, especially at points of climax with which both movements aboundwhile moments of more characteristic Anglican prayerfulness are shaped by Layton and the Trinity choir with true, intimate poetry.
His setting has poise and structure, and builds convincingly to a final peroration. I love all beauteous things.
This laid down a template in sound which was to see cathedral organists queuing up to secure their own piece of Howells. Sacred choral music by Herbert Howells. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.
A stalwart of the church liturgy first conceived as far back as ADthese settings span over years of English In the context of his own art, no finer craftsman than Howells could have been chosen: Herbert Howells Composer Owain Park org. Temple Church ChoirJames Vivian gegale. April Total duration: Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth rsgale to the twenty-first.
June Total duration: This page was last edited on 17 Octoberat The composer’s biographer, Christopher Palmerdescribed the St Paul’s Service as being one of the three Howells canticle settings that “tower above the rest” — the others being his settings for King’s College Cambridge Collegium Regale and for Gloucester Cathedral — where the music “burns through the words’ patina of familiarity into a dramatic and purposeful entity”, while reflecting their “constantly varying nuances and inflections”.
The university conferred an honorary doctorate on him in Clearly his time in Cambridge was happy, and Howells was feeling more fulfilled and optimistic about his own future.
This is howellls stunning recording in so many respects.
The site is also available in several languages. The all-time greats Read about the artists rfgale changed the world of classical music. And for all those devoted to art of Howells, the early psalm chants and the slightly more mature Rhapsody in D flat of a little redolent of Parry perhaps? Howells played these works, as he always did, on the piano. The site is also available in several languages.
For the Coronation itself the combined choirs were large and Howells provided a fully orchestrated score, but this sensitive anthem is more usually heard, as here, with smaller forces and organ accompaniment.
Magnificat and Nunc Dimittis: Collegium Regale
Hyperion offers both CDs, and downloads in a number of formats. Howells set the combination of Magnificat and Nunc dimittis 20 times,  taking the words from the Book of Common Prayer.
Mary sings the Magnificat “My soul doth magnify the Lord” on the occasion of her visit to Elizabethas narrated in the Gospel of Luke Luke 1: Only the Gloria should raise its voice. Skip to main content.
Herbert Howells – Magnificat and Nunc Dimittis: Collegium Regale
The Kyrie reprises the opening chords of the Magnificat, and the Gloria sung as a closing hymn of praise in the Book of Common Prayer rite makes extensive use of music from the Te Deum. The Te Deum is the longest of all the canticles and Howells is alive to the need to create contrasts of mood and colour and to craft a convincing musical shape out of a disparate text.
Scored for four-part choir and organit was written in for St Paul’s Cathedral in Hiwells. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. The given promise dictated style and scope. The St Paul’s Service is scored for a four-part choir and organ. Milner-White had clearly not forgotten about Howells, and now the seed that he had sown in was about to flower.